PUBLICATIONS (short list):

Major Editorial Positions

SERIES EDITOR: Emergenc(i)s: Emerging trends in New Media Arts and Culture. MIT Press, (commission agreement signed in 2006):  First series forthcoming Spring 2008/

Editorial Committee New Member for special issues: Leonardo Journal (Art/Science specialism), MIT Press, from 2007.

Editorial Committee Member, New Theatre Quarterly, Cambridge University Press, 1996 - present.

Regular reviewer/reader for Routledge, Polity Press, Intellect Books, MIT Press, Macmillan, et. al.

Books

• A Guide to Good Practice  in New Media Content and Tools Creation (by and for Goodman, L. and Milton, K. (eds) (2005). A Guide to Good Practice in New Media Content and Tools Creation. London: King’s College London, Office for Humanities Communications Publications. ISSN 14963-5194
• Goodman, L. and de Gay, J. (eds) (2001) Languages of Theatre Shaped by Women. Exeter: Intellect Books. ISBN: 9781871516784

• The Routledge Reader in Politics and Performance, eds. L. Goodman and J. de Gay

       (London and New York: Routledge, 2000).

• Gender, Politics and Performance in South African Theatre Today, Volume 1, edited and introduced by L. Goodman (London and New York: Harwood Academic Press, May, 1999).
• Gender, Politics and Performance in South African Theatre Today, Volume 2, edited and introduced by L. Goodman (London and New York: Harwood Academic Press, May, 1999).
• Gender, Politics and Performance in South African Theatre Today, Volume 3, edited and introduced by L. Goodman (London and New York: Harwood Academic Press, May, 1999).
• Mythic Women/Real Women: Plays and Performance Pieces by Women, ed. L. Goodman   (London: Faber and Faber, May, 1999).
• The Routledge Reader in Gender and Performance, ed. L. Goodman   (London and New York:  Routledge, 1998).
• Literature & Gender, ed L. Goodman (London and New York: Routledge, 1996)- published with an original series of BBC tv programmes, audio and video cassettes.
• Shakespeare, Aphra Behn & the Canon, eds W.R.Owens and  L. Goodman. (London and New York: Routledge, 1996)- published with an original series of BBC tv programmes, audio and video cassettes.
• Contemporary Feminist Theatres:  To Each Her Own, by L. Goodman (London and New York, Routledge, 1993 – translated into Chinese and Japanese, 1997).
• Feminist Stages: Interviews with Women in Contemporary British Theatre, edited and introduced by L. Goodman (London and  New York: Harwood Academic Publishers, 1996).
• Imagining Women: Gender and Representation, eds. F. Bonner, L. Goodman et al. (Cambridge: Polity Press, 1992).

BOOKS: forthcoming (in press)

• Presence: on being, where you are, when you are not. MIT Press, forthcoming Spring 2008.
• Emergenc(i)es: practice-based research in media arts. L. Goodman with S. Kozel et al. forthcoming from MIT Press, forthcoming Spring 2008.
• Club-teching: accessible technologies for developing cultures, with Akhtar Badshah, Esther macCallum-Stewart and Vicki Munsell. Forthcoming MIT Press, Autumn 2008.
• Re-Playing Gender in Theatre and Culture (London and New York: Routledge, forthcoming in Winter 2008 online and in print with integrated cd).
• Women’s Comedy: Cross-Cultural Perspectives on Gender and Humour. (Cambridge: Polity Press, forthcoming Winter 2008).
• E-Mailing Lord Nelson: Writing and Performing Across Cultures, eds. L. Goodman & H. Lebady, with T. Belghazzi, F. Sadiqui, F. Amrania, S.Graioud, S. Regan & M. Mkinsi et al. (London: The British Council, forthcoming Winter 2008).

Chapters in books (short list)

• ‘The Butterfly Effect: Dancing with Real and Virtual Expressive Characters’, by Lizbeth Goodman with Ken Perlin, Brian Duffy, Katharine A. Brehm, Clilly Castiglia and Joel Kollin. in Ruth Aylett and Cañamero, L. eds.   Animating Expressive Characters for Social Interactions. John Benjamins Press, ISBN 1 902956 25 6, pp. 182-207.

• ‘Digital Inclusion in the Home’, Femmes Méditerranéennes et Leurs  Droits (Fedala Press, Morocco) with Caritas Press (France), ed. Fatima Sadiqi, 2006
•  ‘SPIRITLEVEL: Making & Using ‘SMART’ tools integrating intelligent systems & performance technologies to connect and empower creative spirits in shared and distant spaces’, in Assistive Technology: Shaping the Future, eds G. Craddock et  al.
• ‘Overlapping Dialogue in Overlapping Media: Behind the Scenes’ of Top Girls, in Caryl Chucrhill: Contemporary Revisions (Winnipeg: Blizzard Press, Dec., 1998).

• ‘Representing Gender/Representing Self: a Reflection on Role Playing in Performance Theory and Practice’, in Drama on Drama, ed. Nicole Boireau, (Basingstoke: Macmillan, 1996).
• ‘Performance Language as Art Form and Communicative Gesture’, in Using English: from Conversation to Canon, eds. Janet Maybin and Neil Mercer (Routledge, 1996) – translated into Arabic and French (2002)
• Over 30 new interviews with women in theatre published in Feminist Stages, as above, 1996.
• ‘AIDS and Live Arts’, in Analysing Performance, ed. Patrick Campbell (Manchester University Press, 1996), pp. 203–218. ISBN 0–7190–4249– 6 (HB), 0–7190–4250–x (PB).
• Feminist Performance: Canon Fodder and Cultural Change’, in  Analysing Performance, ed. Patrick Campbell (Manchester University Press, 1996), pp. 19–42. ISBN 0–7190–4249–6 (HB), 0–7190–4250–x (PB).
• Barbara Lanati. (Divina: Facts of Life in Theatre) (Torino: Tirrenia Stampatoris December, 1994), pp. 83–100.           
• La Figura della Donna in Shakespeare’ (The Figure of Woman in Shakespeare), in Divina Vicende Di Vita e Di Teatro, Volume Two, ed.
• Introduction to the volume, and ‘Masterpieces’, a critical essay on the play, for Contemporary Women Dramatists, eds. Kate Berney and Nina Templeton  (London: St James Press, 1994), pp. pp.ix–xvi  (intro. 229–301, and contributions throughout. ISBN 1–555862–212–8.
• Neaptide’ a critical essay on the play, for Contemporary British  Dramatists, Introduction by Michael Billington (London: St. James  Press, 1994), pp. 792–793. ISBN 1–555862–213–6.
• ‘Women’s Alternative Shakespeares and Women’s Alternatives to Shakespeare in contemporary British Theatre’ in: Cross-Cultural  Performances, ed. Marianne Novy (Chicago, University of Illinois  Press, 1993), pp. 206–226 (of 274 pp.) ISBN 0–252–02017–0, (HB), 0–252–06323–6 (PB).
• ‘Comic Subversions: Comedy as Strategy in Feminist Theatre’ in The  Polity Reader in Cultural Theory, ed. Anthony Giddens (Polity Press, 1993), pp. 242–247.

Articles in refereed Journals & Major Conferences/Government Reports (recent):
In Press-

• L. Goodman, ‘Performing in tbe Wishing Tense: SMARTlab’s evolution on Stage, Online and in Sand: New Theatre Quarterly, Cambridge University Press: XXXI (4), November, 2007, pp. 352-375.
• L. Goodman, ‘Performing Self Beyond the Body: Replay Culture Replayed’. The International Journal of Performance & Digital Media. 3.2-3.3 (1), 1-22.

(L.Goodman also guest edited the special double issue of IJPDM, vols 3.2/3/3, 2007).

• L. Goodman with Brian Duffy, Jeremi Sudol, Marc Price et al. ‘TRUST: robotics and haptics for extreme interaction and universal design’, forthcoming in Leonardo (MIT Press, special issue- Mutamorphosis), November 2007.
• L. Goodman with Dr Mick  Donegan, Dominic Palmer-Brown, Helen Kennedy, Li Zhang, ‘InterFACES: Affective Interactive Virtual Learning Environments for People with Cognitive  & Physical Disabilities’, forthcoming in Leonardo (MIT Press, special issue- Mutamorphosis), November 2007.

In Print-

• L. Goodman, B.R. Duffy, M. Price, S. Eaton, J. Riedel, J. Sudol,  G.M.P. O'Hare, "The TRUST Project: Immersive Play for Children in  Hospitals and Rehabilitation", 4th IEEE Chapter Conference on Applied  Cybernetics 2005 September 7-8, 2005, City University, London, United  Kingdom
• L. Goodman, B.R. Duffy, J. Sudol, J. Brosnan, J. Riedel, "PLAYBOX: A  Flexible Framework for All", VR and Motor Disorders, 8th International  Conference on Virtual Reality, April 27, 2006, Laval, France.
• Creativity and Innovation: Ways forward for the European Union in Cross-Sector and Interdisciplinary International Partnerships. (EC final report for the RADICAL project, 2002).
• ‘Audience Architectures, Extended Bodies and Virtual Interactive Puppetry (VIP): Towards a Portable Software for Empowering Performance Interactions.’, in Leonardo, (MIT Press),   Goodman, L. & Kueppers, S. (2001http://mitpress2.mit.edu/e-journals/LEA/TEXT/lea9-4.txt- for the Leonardo Electronic Almanac, Volume 9, No. 4, April, 2001
• ‘Scorned as Timber, Beloved of the Sky: Emily Carr’s Double Approach to First Nations Landscapes and Images in her Painting and Writing’, with Stephen Regan, in  The Journal of Gender Studies, vol. 7., no. 2, 1998, pp. 157-179.
•  ‘The Multimedia Bard: Plugged and unplugged’ with T. Coe, J.H. Williams in New Theatre Quarterly, Cambridge University Press, vol. xiv, no.53, Feb. 1998, pp. 20–42.
• ‘Creative Imagination and Media-Assisted Learning, in  Literary and Linguistic Computing.  Oxford University Press  (print and electronic forms), Nov., 1997.
• ‘Who’s Looking at Who(m): Reviewing Medusa’, in Modern Drama, Toronto, vol. 39, no.1 Spring 1996, pp. 190–210.  
• ‘Stages Between Theory and Practice: Teaching Feminist Theatre’ in  South African Theatre Journal, Vol. 8, no. 1, May 1994, pp. 3–23.
• ‘Sexuality and Autobiography in Performance (Art)’ in Women: A Cultural Review, Special Issue on Women and Performance, Autumn,  1994, Volume 5, No.2, pp. 123–136.
• ‘Bodies and Stages: an Interview with Tim Miller’, in Critical Quarterly, April 1994, pp. 63–72.
• ‘Rabble-Rousing with That Uppity Theatre’, an interview with Joan Lipkin, in New Theatre Quarterly, vol. ix, no.36, November, 1993, pp. 367–378.
• ‘Theatres of Choice’ New Theatre Quarterly, vol. ix, no. 36, November, 1993, pp. 357–366.
• ‘Death and Dancing in the Live Arts: Performance, Politics and Sexuality in the Age of AIDS, Critical Quarterly, Summer 1993, pp.99–116.
• ‘Race and the Cinema: Malcolm X’, Lizbeth Goodman with Stuart Hall and Paul Gilroy, Critical Sociology, August 1993, pp. 107–120.
• ‘Harriet Walter’, New Theatre Quarterly, vol. ix, no. 34, May 1993,  p.111.
•  Review Article on ‘Right Brain Vacation Photos: New Plays and  Performance Pieces’, New Theatre Quarterly, vol. ix, no.33, February, 1993, pp. 102–103 (800 words).
• ‘Feminist Theatre in Britain: A Survey and a Prospect’, in New Theatre Quarterly, vol. ix, no.33, February, 1993 pp. 66–84.

MULTIMEDIA & DIGTIAL PUBLICATIONS /Broadcast Series et al.

• SMARTlab.uk.com  full website/documentation of fifteen years of innovation. (2006/7 -).
• Safespaces.net  website:  the Safetynet Project chronicled, version 3, 2006/7 -
• SMARTlab website: www.smartlabcentre.com (2001 - ): contains details on all current projects, grants, collaborators, partners in innovation, and links to online publications by L. Goodman et al. That site is now archived at www.smartlab.uk.com

• Virtual Interactive Puppetry: the Butterfly Project cd rom, Conceived, directed, written, & performed by L. Goodman with dancers and people with disabilities internationally, produced by SMARTlab, released in 2002.
• SMARTshell Technology Toolkit for Connected Learning, Storytelling and Performance: a set of four linked software programmes enabling free video-conferencing, multimedia authoring and publishing, interactive storyboarding and archivable discussion sites for enhanced publication and online assessment, released through the University of Surrey INMPR and the British Council in beta-test phases 1999 – 2002.
• STUCKONTHEWEB.COM:  educational arts and entertainment interactive webcast/broadcast, written and performed/directed by L. Goodman, M. Williams (Pinewood Studios) and Christopher Hales (Royal College of Art).
• King Lear in performance CD Roms – a set of three interactive teaching tools written and presented by L. Goodman for the Open University BBC, published in 2000 and circulated annually.
• Researcher/Writer & Presenter for the BBC OU ART WORKS series, BBC Radio & BBC 2 TV, 1997 – 9. Full list of programmes available upon request.
• Academic Co-ordinator for the Gender in Writing and Performance Research Group Web Site of the Open University, 1996-1999
  
  

PUBLISHED POETRY

• 'The Tongue of the Moment', in Poetry Now: Women in Poetry, edited by Veronica Hannen (Peterborough: Forward Press, 1994).
• 'The Bookcase', in Distinguish Poets, Anthology (a United States Library of Congress Publication), 1993.
• Indian Summer', in The National Library of Poetry's Best Poems of the '90s, (a United States Library of Congress Publication, 1992).
• Skimming', In The Blood, (Alberta Canada), V.I.4, Spring, 1992.
• Root-Bound' Crosscurrents, special issue 'New Work by Award Winners', vol. 7, no.2, 1987.

and poems in:

• The New York Poetry Foundation National Poetry Anthology, 1987.
• 'If You're British', Landfall, (New Zealand), no. 172, December. 1989.
• The American Poetry Association's Anthologies of 1986, 1987 and 1988.

An anthology of new and collected work is underway for publication in 2008.